April’s not over yet and even if you don’t reach the 30 poems target, you may still have built up a body of work since the beginning of the month.
Do not rush to submit your NaPoWriMo poems
Editors don’t like receiving drafts and no matter how wonderful you think that poem you drafted on 2 April is, now is not the time to submit it. Read over your drafts and decide which ones you feel are nearly ready to publish, which ones need re-writing and which ones you will keep in your files (this isn’t necessary to do with the quality of your poems, but it might be that they’re too personal or were exercises). Now take a break: do some reading, write some prose, go for a long walk.
Edit, Read and Edit again
Start with the poems you feel are the better ones. Is this the best you can do? What happens if you re-write a first person poem in the third person? Is the narrating voice the best choice? What happens if you re-write the poem from a different viewpoint? Cut the first stanza – does the poem still work without it? What happens if you swap the first and final stanzas? Will those sixteen lines work if you cut them into a sonnet? Do you prefer your re-write or your original?
By changing the form, narrative voice or layout, you test your poem and discover which voice it works best in, whether it works better as a straightforward narrative or whether it’s more interesting told in non-chronological order and whether it works best in a traditional form or as free verse. Re-working the poem will also weed out unnecessary words and descriptive padding.
Some poets record their readings and listen to them. You needn’t go that far, but reading aloud will force your focus onto the poem’s rhythm. You’ll discover that tongue-twister in line four or the awkward sentence structure in stanza three or how you ran out of breath in the final stanza, you’ll probably hear assonance, consonance, alliteration or repetitions that you don’t hear when reading silently from the page.
A second opinion, even if you disagree with it, its always a good thing. If you’re not already part of a writers’ group or workshop, search social media for one that suits you. Some are ideal for beginners who are looking to build confidence and want reassurance, others are more robust and a better fit for writers serious about sending work to editors.
Be wary of groups that seem to want exclusive membership: if you’re being discouraged from joining other groups, you’ll get limited feedback and will find you’ll end up writing for that particular group rather than a wider readership. Take care not to end up joining so many groups you’re overwhelmed with advice.
Try out your poem at a local open mic event too. You’ll get pretty immediate feedback (Did you stun the audience into silence? Did they laugh at the joke? Did they laugh when you were trying to make a serious point?) but bear in mind it won’t be as in-depth or critical as a workshop where participants get to see your poem on the page or screen.
Don’t just take critical feedback on board and try and re-write your poem to suit. Filter the feedback through the lens of what you were trying to achieve with your poem and consider the feedback that aligns itself with your aims.
You’re still not ready to submit
Read the magazines you’re considering submitting your poems to and consider whether your poems are likely to be a good fit.
Don’t sabotage your submission by failing to follow the submission guidelines.