“Do your best with what you’ve got”
Toni Morrison 18 February 1931 – 5 August 2019
What are your ideal writing conditions?
A large desk with space not only to write but to hold stacks of notes, reference books and plans with a whiteboard for temporary notes? Or a small desk, just room for a laptop, and no distractions.
Do you have a window with view with an appealing landscape or a windowless room so the only thing you can focus on is your screen? Does your ideal room have bookcases and a couch so you can take a break and read? Or a daybed for daydreaming? Or a stationary cycle or treadmill so you can use a burst of exercise to refresh? A coffee machine permanently bubbling away or poi pourri strategically scattered with scents to motivate?
Do you have internet access so you can quickly research on the go or do you block social media? Do you have music on or write in relative silence? Or are you the type of writer who prefers to sit in a cafe, surrounded by a buzz of people?
Do you have an optimum routine: perhaps some exercise in the morning and then a solid block of time to write or do you prefer to write first and take long walks in the afternoon? Do you do all your research and plot out your writing before you begin or do you research as you go?
Are you the sort content to write in isolation, only sharing work once it’s thoroughly published or do you want to be close to beta-readers for quick feedback or to discuss a knotty problem in line two or whether your current sonnet needs to rhyme or not?
Do you write first drafts with a specific brand of pen in a specific brand of notebook or scribble on whatever’s to hand? Do you prefer to draft on a phone or laptop? Do you have to create a certain ambience to write?
Who provides your meals and picks up the household chores?
Sorry, reality intruded there, didn’t it?
Very few writers get to write in their ideal conditions. For most of us, life really does intrude and we have to drop the idea of creating a specific set of conditions to write and making do with the conditions on offer. That means figuring out when the best time to write is and, as far as possible, arranging a routine around it. It might not be a separate room but a corner in a lounge or a favourite spot in a cafe or library if home contains too many distractions. It might be creating a short routine, a metaphorical sharpening of a pencil, to make a buffer between a day job and writing or between family demands and the need to re-enter a manuscript’s world.
It means moving away from the idea that there are ideal conditions to write and creating conditions to write in. It takes discipline and desire.