NaPoWriMo 2017 Complete

NaPoWriMo 2017 is complete and I now have 30 poems and a lot of editing to do. One poem, “A Staircase of Knives” has been accepted for publication and four more are good enough to submit to editors. Of the others, a couple are too personal to send out to editors. But the rest will now be edited over the coming weeks although that process may be interrupted by new poems.

What did I write about? Most of the poems this year were based on news stories. One was a tribute to Carrie Fisher, one celebrated “Adrian Mole’s” birthday, one was based on a title generated by a random book title generator, a couple based on memories. I always find music a big source of inspiration.

The biggest hurdle in NaPoWriMo is the stamina to keep going. It’s easy to spend the last few days of March clearing the review pile, gathering a list of prompts and having ideas bubbling at the back of your mind in readiness. Sometimes life gets in the way: the unexpected event, family illness, some problem or issue that needs to be resolved. Generally, keeping the momentum going post the halfway point, is doable. It’s often at the two-thirds mark that momentum stalls. It’s the point where there’s already twenty poems but one more to the pile doesn’t seem to make much difference. The end isn’t quite in sight and inspiration seems to dry up. For me, that’s generally the time that hayfever starts and my energy’s depleted.

It helps to have a trick or two up your sleeve: sure fire exercises that trigger inspiration. Sometimes that might be reading other poems, listening to music or reading new stories. The golden shovel form (in a nutshell: take a line from a poem, use each word in the line as the last word in each line in your poem) is a good exercise – it results in a poem that later might be rewritten so it doesn’t need the line that acted as scaffolding to create the poem in the first place. Music’s good, it has a rhythm, influences mood and there could be inspiration from the lyrics, remembering where you first heard a particular song or trying to figure out what the songwriter was thinking when writing the lyrics. With news stories,  you can research into the story’s background, a item in the story or try and retell the story from the viewpoint of a minor character in the story.

A full list of my NaPoWriMo poems are here. I always say titles are important. If your poem is published in an anthology or magazine, what will draw readers to select your poem above the others?

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NaPoWriMo 2017

Just over the half-way mark in National Poetry Writing Month (NaPoWriMo) 2017. The aim is to write drafts or notes towards 30 poems during the month, which averages at one a day (although participants don’t have to stick to one a day). Obviously, it’s impossible to write a complete poem in 24 hours – it doesn’t give you enough space to put a poem to one side and review it with fresh eyes – but it is possible to draft a poem a day over month. But by the end of the month, participants will have enough poems to create a body of work which can be edited and will have practiced the discipline of not waiting for inspiration but actively seeking out inspiration and writing.

I’ve done NaPoWriMo before and generally found that it starts well because I’ve been preparing and have ideas in hand to start writing, the momentum carries you over the half-way mark but it starts to stall at around two-thirds of the way through the month. This is generally because you’ve got past the half-way mark but the finish line’s not yet in sight. This is where having some reserve sources of inspiration come in handy. There are blogs with writing exercise suggestions and reading call-outs for submissions on themed poems can be useful (even if you don’t write your themed poem in time for the deadline, if it’s good enough to be published, you can still submit it elsewhere).

Personally, I find news stories a large source of inspiration, particularly if you try to re-tell the story from a different viewpoint. Something I’ve found useful in the past is to pick a song at random – it’s best if you don’t use a song you are overly familiar with such as the first song you hear as you switch the radio on or if you overhear someone else’s radio/playlist, but don’t pick an instrumental. From the random song, pick a snatch of lyric such as a phrase or chorus and it doesn’t matter how accurately you’ve heard the lyric. Spend a few minutes writing down ideas or associations you make with the snatch of lyric and use that for the basis of a poem. You might find  yourself writing about the scenario described in the song, about the mood evoked by the song, about when you previously heard the song, writing about how the songwriter may have come to write the song, the effect the song has on you or an event where playing the song might be appropriate.

Do any of you have useful sources of inspiration or tips for keeping the momentum going? My list of titles so far is here: NaPoWriMo. Do any titles grab your attention?


Readings from “Welcome to Leicester” will be featured at the World Book Night event on 23 April from 7.45pm (doors open at 7.30pm) at the Donkey on Welford Road, Leicester with live music afterwards. “Over Land, Over Sea: poems for those seeking refuge” has now sold out and raised £3000 for three refugee charities.

World Book Night event 23 April 2017

NaPoWriMo 2015 and Poem Titles

Progress so far: 15 draft poems in 15 days:

1 April – Between Dances
2 April – An alleged Gas Bill for the Nettle Emporium
3 April – A Dance in a White Dress
4 April – The Typist on the Thames
5 April – A Day to Breathe
6 April – This funeral won’t be televised
7 April – It’s not just the dead who haunt the living
8 April – An Abandoned Football
9 April – Before our meal
10 April – Sequins and Bubbles
11 April – Karaoke
12 April – Reluctant Perennials
13 April – The Library’s Blue Curtains
14 April – The Unused Prop
15 April – Over a Far City, a Rainbow

Any of these titles grab you?

With poems, the title is of utmost importance. Not only can it make an editor snowed under with submissions stop and read your poem but it can draw a reader in. Most poems are published in an anthology format: either in a magazine or book or listed on a search engine results page if someone is searching for  poems on X. Someone scanning down a list of titles or skimming through a pile of poems isn’t going to stop and read “untitled”. After all if you can’t be bothered to title your poem, why would anyone read it?

 

 

 

NaPoWriMo April 2014

I wrote 30 drafts of poems in the 30 days of April 2014. Last year, I made a last minute decision to join in so spent a lot of April reading poems in magazines and online to find inspiration. This year I was more prepared. I’d spent January writing a small stone each day so if inspiration wore thin, I could refer back to one these daily observations for an image or theme to kick-start a poem.

In between the poems I also wrote five book reviews. None of these books yielded inspiration for any of the NaPoWriMo poems. This isn’t a surprise because reviewing is about criticism, whereas when writing new ideas, you need to turn the critic off and just write. It’s when you return to edit that the critic needs to surface.

Like last year, some draft poems are more fully formed than others. In order to meet the target of a draft poem per day, the less fully formed poems, i.e. the ones with working titles or the untitled one, get put to one side so I can draft the next day’s poem. Now NaPoWriMo’s finished, the real work of reading and editing begins.

Do any of the titles below grab your attention?

Stars Fade, Memories Linger
Famous Blue Dress
Skin Boundaries
Turn Up the Volume
The Size of a Cow
Save Me The Waltz
Like This
The colour of January is a huge red stop light
Undertone
An Ideal Dinner Party
What could be more English than this?
I want to give you this…
The call of the ice cream van
Sorry isn’t the hardest word
How things fall between gaps
[Untitled] – first line “It begins at St Margaret’s church”
The flowers on the wallpaper seem to move
Where the results are irrelevant
How I learnt to read upside down
It’s like liquid honey
Clockwatching [working title]
Revival
You fall in love too easily
How to do a blistering cover version
Targets and a Blind Spot
Billy [working title – will change]
Lyrics [working title]
I finally recognised a tune a colleague was humming
I learnt to create illusions
An English Earthquake

These are also listed on my NaPoWriMo page and I’ll update if any get accepted for publication.

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NaPoWriMo

Whilst this year’s NaPoWriMo is underway and I’m keeping up with the draft poem a day target so far, I thought I’d look back at last year’s poems.

I did manage the 30 poems within the month target. These were 30 draft poems, some in rougher shape than others. I took the more polished drafts and worked on these first, reading them aloud, editing them and rewriting until they were publishable. Then I looked at the remainder.

There are five that I have no intention whatsoever of publishing. These are simply too personal and I don’t think I want to put them in the public domain. I don’t see this as a problem because I don’t intend to publish every single poem I write.

Of the remaining 25 drafts, there are 4 that will probably not go any further than being drafts. These is either because the subject is too similar to poems I’ve already written or that I don’t feel the poems are strong enough to be stand alone poems. In effect, these were practice poems I wrote to try out an idea or to see if an idea would become a poem. This doesn’t make these poems failures. A failed poem is one I never tried to write. Even published poets need to rehearse poetic ideas and give a new idea a try out. Experience tells you whether a practice poem could become good enough to become a published poem or whether it’s better to keep it in a notebook. It still may be the case that I’ll come back to the idea at a later date with a fresh pair of eyes and see a different approach or with a second theme that can be weaved into the original draft to create a stronger poem.

April 2013 left me with 21 draft poems that are capable of being published poems. These are the ones I have been spending more time on, editing and rewriting. This is not a bad return. Of these 3 have been accepted and published, “Flooded by Communication” (The Interpreter’s House), “The small hours have become my friends”, “Creating a Scene” (Message in a Bottle) and a further 2 accepted for future publication, “Hotel Life”, “Letting Us In” (Aquarium by the Ocean). These are not the only poems I’ve had accepted for publication in the last 12 months.

That leaves 16 poems which are of a publishable standard and are some of these are currently with editors. Given the slow process of publishing, I’m not surprised that there have been only 5 acceptances so far. However, by April 2015, I’m confident I’ll be reporting more acceptances from poems written during NaPoWriMo 2013. It’s too early to tell yet whether 2014’s drafts will be going anywhere.

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NaPoWriMo – how to write 30 draft poems in 30 days

The biggest source of inspiration was reading: coming across a phrase or story or theme that sparked an idea. The more I read, the more I wrote.

Momentum stalled around the seventeenth day. I’m surprised it took that long. Writing isn’t a nice little hobby anyone could do if they had the time. Although we all have our own story, it’s not a story everyone has the talent to tell. The ability to form letters and construct a sentence doesn’t always mean that the resulting writing can engage, charm and enthral readers. Sitting in front of a computer or with a notebook and pen in hand looks easy, but the concentrated focus that writing requires is hard to sustain. The editing part is easier, but you can’t edit a blank page. It takes stamina to write something new every day for a month.

I got going again by reading. I read a magazine or browsed online and picked a poem that I liked. I then chose the theme or a phrase or an image from that poem and drafted a poem around that theme, phrase or image. The results were very different from the original source poem. Song lyrics proved a useful second source: can’t get a song out of your head, use it to inspire a poem instead (apologies for the rhyme).

Some drafts are more fully-realised than others. The task now is to go back through the draft poems and shift out the ones that are close to completion. These can be worked on until they are ready to be published. The remainder will have to be looked at and a decision made as to whether it is worth developing the draft or leaving it. Usually I do my early drafts in my head and only start putting words on paper when I have something closer to being a poem. Throughout April, I was putting words on paper much sooner so some drafts used ideas or themes already used in my existing poems. These drafts probably won’t go further.

There was no difference in length between the poems written at the beginning of the month or the ones written towards the end. The poems were written to the length that was right for the poem and there was no rushing out an idea because the end of NaPoWriMo was nearing.

I stalled again on the 26th day because the hayfever season’s started early and it’s difficult being creative when battling the side-effects of anti-histamines. But I wasn’t going to give up so close to the end of the month and still managed to hit the target.

NaPoWriMo was a useful kickstart. Would I take part again? Yes. In 2014? Not sure yet.

A full list of dates and draft poems is included below. Are there any titles which grab your attention?

01 April 2013 Gaining a Loss
02 April 2013 Stop me if you’ve read this one before
03 April 2013 Poppy Red, Lime Green,
04 April 2013 Tulips on Mother’s Day
05 April 2013 Creating a Scene
06 April 2013 Bleeding Red
07 April 2013 Request
08 April 2013 Replacing the Shed
09 April 2013 Scar
10 April 2013 Not turning the light on
11 April 2013 Displacement
12 April 2013 Paint it Black
13 April 2013 The small hours have become my friends
14 April 2013 Coffee in March
15 April 2013 Blaze of Lies
16 April 2013 Sky-eyes, Caged
17 April 2013 Phoenix
18 April 2013 Hotel Life
19 April 2013 Dress Code for Live Music
20 April 2013 Letting Us In
21 April 2013 She’s given up fixing the broken window pane
22 April 2013 Judged, Found Wanting
23 April 2013 Like a bucket of water spilling over cold rain
24 April 2013 Five Irritating Habits of Co-workers
25 April 2013 Flooded by Communication
26 April 2013 Let Me Tell You a Story
27 April 2013 In the Vets’ Car Park
28 April 2013 Not the Marrying Kind
29 April 2013 It’s the Action
30 April 2013 Why a tomboy learnt to sew

Of these, I’d say three are definitely not for publication and one needs a major edit before I can even think about getting it published. The others do need editing, but there is a poem at their core.

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NaPoWriMo – National Poetry Writing Month – April 2013

Like its cousin, NaNoWriMo – National Novel Writing Month (November), NaPoWriMo is about getting words on paper, encouraging writers to switch off the inner critic and simply write. Around other commitments it would be impossible to write a poem a day for 30 days (and probably wouldn’t be possible even if I had no other commitments so could devote 24 hours to each poem). If the target is in terms of writing a draft or notes for a new poem each day for 30 days, it is achievable. If 30 draft poems can be written in 30 days, they will still require editing and some drafts may not make it as final poems.

On my NaPoWriMo page, I will list titles against the date drafted as a measure of progress. I may post the actual draft perhaps with notes and comments if I feel reasonably happy with it. I won’t be able to update every day, but will be aiming to write a draft or notes for a draft daily. Occasionally a draft will look very similar to the finished poem. Some drafts simply record an idea which may not have found its final form so the final version will look very different from the initial draft.

The most frequent changes are usually titles. I’ll start with a working title which may be too explicit or signal the ending (so diminishing its impact). The title may change because the initial poem didn’t work and new approach requires a new title. But generally titles change because they have to grab the reader’s attention and compel them to read the poem and a working title rarely achieves that.

After NaPoWriMo, I’ll keep the list of dates and drafts. If any of them do make it to completed poems and publication, I’ll update the list accordingly.

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